no TopFlix. A straddling of the dynamics that link and distort sound and image. Beginning with a soundtrack that Rhody composed from recordings by long-time collaborator, Jeremy Kennedy, the structure and visual anatomy of the film was then constructed around its sonic form. The interplay, independence and connection between the two components intuitively create an indefinite non-linear narrative, resulting in Bruised Fruit & Underfed Flora. Shot on 16mm, Super-8mm and miniDV tape and transferred to 4K digital.